MAKING A SCENE
When creativity and imagination is undervalued in school and socially our creative children feel like they don't belong.
But our classes are a place where they will flourish and delve deeper into their unique ideas and develop them through acting, mime, storytelling, improvisation and more.
Because they meet like-minded kids, they become confident and make friends easily. Our trained teachers walk with them celebrating every milestone on their drama journey.
Our students perform at community events and are often selected for leading roles in local theatre productions. Academy students are awarded top marks at festivals and for grade exams.
We have a range of classes in Speech and Drama and Theatre and Acting for beginners to senior level.
We also realise that parents need to juggle activities, so our Musical Theatre Classes are a "one stop shop" and cover acting, movement and singing. These sessions are subject to the number of students wishing to attend them.
For more on classes see our website here
Our focus is on developing communication, presentation and performance skills using drama as a platform for learning. Making a Scene Drama classes are a fantastic catalyst for developing essential communication and acting skills that contribute to personal and career success for life. Our Academy classes combine drama with improvisation and public speaking skills that give our students skills for life.
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Contact tutor Debi Walters-Brown for more information on:
021 324 707 or email
SHORT TERM: Any period less than seven days.
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LONG TERM: WTC treats any hire of seven days or more as long term. Due to hires of such nature resulting in the centre being unavailable for other groups, each day is charged from the first day to the last day of hire. Special discounted rates may apply for days the building is not occupied. These rates are only available upon application. Charges for time in the centre, however, are at a rate similar to the short term rates above.
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LIGHTING AND SOUND: All hires which involve the use of lighting and sound equipment are required to have a WTC technical representative involved at a charge of $40 per hour.
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DISCOUNTS: Discounts may be negotiated for kindred societies, non-profit organisations, and community groups on an individual basis.
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PARKING: Parking is available for approximately 50 cars.
To make a booking or for more information please contact enquiries@whangareitheatrecompany.org.nz.
SHORT TERM: Any period less than seven days.
​
LONG TERM: WTC treats any hire of seven days or more as long term. Due to hires of such nature resulting in the centre being unavailable for other groups, each day is charged from the first day to the last day of hire. Special discounted rates may apply for days the building is not occupied. These rates are only available upon application. Charges for time in the centre, however, are at a rate similar to the short term rates above.
​
LIGHTING AND SOUND: All hires which involve the use of lighting and sound equipment are required to have a WTC technical representative involved at a charge of $40 per hour.
​
DISCOUNTS: Discounts may be negotiated for kindred societies, non-profit organisations, and community groups on an individual basis.
​
PARKING: Parking is available for approximately 50 cars.
To make a booking or for more information please contact enquiries@whangareitheatrecompany.org.nz.
"Buddy you're a boy make a big noise
Playin' in the street gonna be a big man some day"
Forum North
29 May - 14 June 2025
AUDITION DATES
Monday 2 December - 6.30-9.00pm
Tuesday 3 December - 7.00-9.30pm
Wednesday 4 December - 6.30-9.00pm
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Before completing the audition application form, please
read all the information below from the Creative Team.
Director: Ringi Smith
Musical Director: Sarah Edgecombe
Vocal Coach: Chris Parry
Choreographer: Kayla Ganley
Production Managers: Gina Kitchen & Matthew Simpson
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About We Will Rock You
Written by Ben Elton as a tribute to the late Freddie Mercury, it is based on the idea of a world dominated by media and technology, where the current generation are controlled in thought and expression, where live music and creativity is a threat to an almighty marketing machine. Despite the premise of this being a dystopian future, it’s a reflection of society today and our dependence on the internet, influencers, celebrity and the battle for freedom of expression, individuality and creativity!
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What are we looking for in a cast?
As a creative team, we’re looking for the best singers, actors and dancers that we can find. While there are several roles that don’t require performers to be a ‘triple threat’, we are looking for people who are open to be engaged in all areas. You must have a stage age of at least 16 years old, and while talent is the primary consideration when casting, a high level of commitment is essential. We expect our cast to have a positive attitude and mindset, committed to performance excellence with a strong desire to work collectively and ability to collaborate. In taking part in this production, our expectation is that our cast will be committed to rehearsals and promotional requirements, and that absences from these will need to be discussed and agreed upon by the Production Managers and Director. We are an inclusive production team, and all ethnicities, builds, gender, sexuality, ages, neuro and physically diverse people are welcome to audition.
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What you need to show us at auditions
Please arrive at least 10 minutes prior to your audition time, allowing time for check-in and your individual preparation.
We do not expect all singers to be strong dancers, but we do need to understand how you move, and your ability to retain movement instruction. We also do not expect all dancers to be strong singers, but we do need to see where you are musically to be able to place you in a full company.
Please prepare a 2 min maximum song excerpt from any classic rock artist from the 70s through to the 90s. You are welcome to perform a song from the show of the specific character you’re auditioning for, or any other Queen song.
If you require accompaniment, please indicate on your audition form and then please bring sheet music for your own selection song, in the key and version that you are performing, with cuts clearly marked (no chord charts), at your audition time. As a standard, we will have a Bluetooth capable speaker available for backing tracks (without vocals) – please feel free to bring your own to connect to should you wish. We are not looking to replicate the sound of Freddie Mercury or Queen. Please show your own natural vocal sound.
For the movement/dance part of auditions, please wear appropriate clothing and footwear for high energy movement that is comfortable and will allow you to move freely.
Please be prepared to do a selected reading from the script if you’re auditioning for one of the lead roles.
Auditions may be videoed for reference during the casting process. Short extracts from successful audition videos may be used for marketing purposes but will otherwise be deleted.
Please be prepared for callbacks but note that doesn’t necessarily mean you’re guaranteed a role. Likewise, you may be cast in a role without being called back in.
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Character Descriptions
GALILEO – Stage age: Late teens through to 20s. A misfit who keeps hearing strange voices and songs in his head which deliver messages he can’t understand. Needs to be charismatic, charming with a rock tenor voice up to a full voice sustained high B. Falsetto up to a D above high B is also required.
SCARAMOUCHE – Stage age: Late teens through to 20s. Another misfit, sharp witted who keeps Galileo on his toes. They eventually fall for each other. Vocally, a strong Mezzo belt is required.
KILLER QUEEN – Stage age: Late 20s upwards. Ruthless, powerful, tough and glamourous, KQ is in charge of GlobalSoft and controls every situation around them. Vocally, a strong Mezzo belt with the capacity and vocal stamina for a hard rock edge is required.
KHASHOGGI – Stage age: Late 20s upwards. Works for Killer Queen, epitome of tech corporate stooge. High Baritone or tenor range required.
BUDDY – Stage age: Mature, 40s plus. Old librarian with a passion for the ‘sacred texts’ (forgotten rock lyrics). Great comic timing needed. High baritone or tenor range required.
BRIT – Stage age: 20s to late 30s. Short for Britney Spears, Brit is the antithesis of early 90s op. One of the Bohemian rebels who believes there is a true musical style that can conquer the manufactured sound. High baritone or tenor with a rock edge.
MEAT/OZ – Stage age: 20s to late 30s. Another character challenging the vibe of their ‘namesake’, a Bohemian awaiting the return of real music. Mezzo belt range required.
ENSEMBLE – Stage age: 16 years +. The ensemble will be broken into groups, with some playing roles in multiple and some singular. Vocal range varied.
- Bohemians: A group of rebels, determined to rage against the machine. Characters will be named and themed based on ‘rock royalty’.
- GaGa kids/Teen Queens: Society’s next generation of internet-controlled humans
- Secret Police: Automated army that carries out Killer Queen and Khashoggi’s instructions
- Super Yuppies: Killer Queens entourage
- Teacher: Chosen from ensemble
- Doctors: Chosen from ensemble ​