Schedule an audition. Many auditions are held over a couple of days/evenings and you are often required to book an audition time in advance. Sometimes we may hold special workshops prior to auditions or other times we will hold call-
Dress appropriately. You will most likely need to move a bit during your audition, especially if there is a dance element involved, so always wear comfortable clothing that is easy to move in. Something fitting helps show off your dance skills, but steer clear of anything too revealing or distracting. Dance shoes are ideal but not necessary, as long as your footwear is comfortable and flexible.
Prepare your song, monologue, and dance. The dance and dialogue element of an audition is usually prepared for you and taught to you on the day. For your singing audition, prepare a song which suits your vocal range and has a similar style to the show you are auditioning for. Sometimes you will be required to sing a specific song from that show, and details about what format your music should be in (backing track, sheet music) will be given prior to your audition.
Auditioning and meeting the team. Auditioning can be nerve-
Prepare for rejection. While this is community theatre and we try to give everybody the opportunity to take part on stage, sometimes we just have way more auditionees than roles! Don’t take it too hard if you aren’t successful in your audition, it generally doesn’t mean you did anything wrong – it just means you weren’t quite right for what the director had in mind. But we WILL remember you, and returning to audition for a future production shows us you are committed and passionate.
Get involved any way you can. While many people may dream of landing the lead role, try not to turn down company/chorus positions too. The more involved you get, the more familiar you will become to everyone. You will prove you’re reliable and committed and will more likely be cast in future productions and given bigger and better roles. If you are unsuccessful in your audition, we always require production crew – it’s a really great way to get your foot in the door and stay involved.
Jesus Christ Superstar -
Forget Me Knot -
A Comedy by DAVID TRISTRAM
Directed by PAMELA BLACK
Robert Zeinfeld is found wandering the city streets at 4am. There’s no clue as to how he got there, just a bruised head and a suspicious policeman for company. But perhaps he hasn’t lost his memory at all, perhaps it’s all an elaborate cover up ...... The deeper the Inspector digs, the more confused he becomes.
ROBERT ZEINFELD -
Suffering from Amnesia.
JULIA ZEINFELD -
Robert’s wife. Assertive, angry, wealthy.
INSPECTOR MONROE -
Policeman, endeavouring to solve the case.
SAMANTHA MONROE -
Inspector Monroe’s wife. Psychologist. Can she solve the loss of memory problem ... or is there more to Samantha than first appears?